Gallery of Contemporary Photography

"Art is love clothed in beauty" -  G. Segantini

September 2014

 Jamie Dolinko Joins The Collective

                     'Blue Sedan, Havana'  by Jamie Dolinko
After studying photography at the Gerrit Rietveld Academie, Amsterdam, Jamie went on to graduate from the Ontario College of Art in 1990. She received her MFA in photography from the School of Visual Arts, New York in 1992. Her work has been shown throughout Europe and North America at galleries and museums including Los Angeles Contemporary Exhibitions (LACE); The New Museum of Contemporary Art, NY; the Orange County Center for Contemporary Art; Arti et Amicitae, Amsterdam; and the Eindhoven Center of Contemporary Art.  
Shows include 'After Photography' by Roy Arden, 'High-rise Studies' at the Belkin Satellite Gallery, 'The Lagoon' at Stanley Park Nature House, and Capture Photography Festival Skytrain Installation (King Edward Station). Her work has been reviewed in Canadian Art, the Globe and Mail, the Village Voice and the New York Times.
Jamie currently lives in Vancouver. 


'Hastings and Abbott'  by  Larry Wolfson
26.75" x 37"  |   Archival Pigment Print on Epson Hot Press Bright 100% Cotton Rag
Mounted , unframed     $750

1/18th      by Bjoern Obst

Limited edition 1/5
Boxed set of 6- 11”x14” prints 
Series 01
Originally captured on 8mm movie film in the late '60s an early '70s, selected groups of frames
have been extracted from the film and presented in still format.
Printed on Canson Rag Photographique using Epson Ultrachrome archival pigment ink.

'Whispering Spirits'  by  Jochi
13 September - 4 October 2014

The Collective represents the work of 45 independent photographers
in a revolving, permanent exhibition of original, limited edition work.

For print details , please visit  #thecollective

Exhibitions  |  Editioned Prints  |  Signed Monographs  |  Books
Workshops  |  Artists' Talks  |  Salons  |  PopUp TeaRoom

The Collector's Guide to Photography
All early photographs were made by contact printing- placing the negative in direct contact
with the paper- since successful enlarging became possible only in the late 1890s.

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