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This Is The Modern World: Doors Which Open Themselves
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I went up to London on the train the other day.
I like trains. I like the sense that I am being carried, that someone else is doing the driving for a change. You can relax on a train. You can look out of the window at the world going by. Even the world looks relaxed somehow. It looks serene, unperturbed, just going about its daily business as it drifts by through the window like a moving picture. It’s like you are looking at the world from a new angle, uncluttered by the debris of modern life.
Just think of the difference between the view from a train and the view on the motorway. There are usually several lanes between you and the world on the motorway. Even if you drive on the inside lane, there’s the hard shoulder and a wire fence in the way. It’s like that fence is dividing you from the world. Not that you have time to look. You are too busy looking at the traffic, too busy worrying what the other drivers might be up to. One slip and you could be dead.
Now think about the train. It’s true that there’s a verge and a fence, but you don’t feel cut off in the same way. The verge is full of trees and plants and wildlife. You feel as if you are a part of the landscape. The world has grown up to accommodate the train. The towns and cities you pass through have nestled themselves around the lines, absorbing them, incorporating them, so that the railway has become an expression of the town’s character. Can you say the same about by-passes and out-of-town shopping malls I wonder?
If transport had never evolved beyond the train, I would not be unhappy. On a train, you don’t take the journey, the journey takes you.
I like other forms of transport too. I like bikes, I like buses. I can imagine a world in which all of these forms of transport are spliced together to form one, unified, effective, cheap, safe and reliable transport system, and I would never have to suffer the stress of motorway driving again.
But, then again, I’m old fashioned. Sometimes I like to remember the world I grew up in, a world that actually worked, as opposed to the one we have now, which seems to stumble on from one mad crisis to the next, regardless of its apparent modernity.
It’s not that I’m against change. I like change.
I remember the first time I discovered predictive text on my mobile phone.
It was my son who showed it to me. He showed me how to use it, patiently taking me through the process: how to read the keyboard, how to change the words, how to find the address, how to send it off. My son became my teacher, and that was a revelation in itself. He’s been teaching me ever since. We sent a text to his mother, who was in Turkey at the time. And within a minute I’d got a reply. I fell in love with my mobile phone in that instant. What an incredible facility to possess, to contact anyone anywhere in the world, and to get an immediate reply.
I love computers, and the internet, and websites and Google Earth and digital cameras and have a huge hankering after a Tablet one day. They look like the embodiment of contemporary magic to me.
But for every innovation which enhances the world, there are a dozen more which make no sense whatsoever.
Read on...
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HAWKWIND NEWS
(The Masters of the Universe do seem to have a steady stream of interesting stories featuring them, their various friends and relations, and alumni). Each week Graham Inglis keeps us up to date with the latest news from the Hawkverse..
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The new Hawkwind album is continuing to pick up favourable reviews on the web, although there's perhaps not enough METAL on it to wholly please the Metal Temple guys! -
"Spacehawks" is a look into the recent past of a band that has a storied history. It is a collection of the old, the new and the revisited. A novel idea for a band that pushes the limits of what listeners will accept; HAWKWIND leads the charge and everyone else just falls in line. It’s been like that since the start with little having changed, their songs still challenging the public opinion of what it considers music.
The seventies are forty years gone; it is a much different world for most but HAWKWIND are debating this theory to the grave. “Masters Of The Universe†confuses the listener, part space Rock opera part video game background noise, melting minds with a cosmic laser tag game of guitar wanking. “Sacrosanct†follows with a childish jam that will mellow the mind of your toddler or freak out your stoned teen.
- http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/h_2/hawkwind-spacehawks.htm
What of the all-important new tracks? Well ‘We Two Are One, has that psychedelic fast paced space chasing edge to it that puts it up there with the classic era. ‘Sacrosanct’ however might not be what the seasoned space cadet is looking for as it takes us on a trippy, techno, mainly instrumental (apart from backing chants) jaunt that sounds like it could have escaped out the ‘Electric Teepee’ era. It’s one of those songs for those times when the main set has finished, and us younger ones (in our 40s now ha ha) to get down to and rave away. I like it but it won’t be to everyone’s tastes. Having said that at least unlike the other new ones at 9 minutes long it has plenty of substance about it.
Before we get to the other new one the inclusion of ‘It’s All Lies’ from the Hawkwind Light Orchestra Stellar Variations album is most welcome as it really rocks out with a great chorus line and bouncy chugging tumult in the first half before turning inwards and ambient in the mid-section and bursting back to life for finale. It reminds a lot of Needle Gun and as a track I had not heard before is a real highlight for me on the album.
http://www.avenoctum.com/2013/10/hawkwind-spacehawks-eastworld/
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THE YES CIRCULAR - TIME AND A WORD
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The Court Circular tells interested readers about the comings and goings of members of The Royal Family. However, readers of this periodical seem interested in the comings and goings of Yes and of various alumni of this magnificent and long-standing band. Give the people what they want, I say
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It has been a very slow week for news from the Yes camp. This might be something to do with the fact that Graham, Corinna and I have been away for much of the week leaving the office in the charge of Richard who has the computer skills of a brush tailed porcupine with learning difficulties. However, there are a few stories for you. There is a nice piece about Jon Anderson's forthcoming shows in Florida, and a video rundown of some of Chris Squire and Steve Howe's classic equipment. There is also a highly subjective top 10 of Yes songs from the 70s. Also a Happy Birthday (for last Friday) to Accrington's favourite son!
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I am probably getting a bit OCD about all of this, but I find the Yes soap opera of sound to be absolutely enthralling, and I for one can't wait to see what happens next!
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EGG OF DAY
meets the knife of Light
Peek eye through window bright
Slice into screens open,wide
Hear?Click of calendar turning from night
Slight of hand quite magical
eyes open curtains into a world
both second hand and original-
open to all that is possible
Time is what it takes to get here
Time leaves us in this moment-
waiting/clear..
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In Victorian times every well-bred Gentleman had a 'Cabinet of Curiosities'; a collection of peculiar odds and sods, usually housed in a finely made cabinet with a glass door. These could include anything from Natural History specimens to historical artefacts. There has always been something of the Victorian amateur naturalist about me, and I have a houseful of arcane objects; some completely worthless, others decidedly not, but all precious to me for the memories they hold.
But people send me lots of pictures of interesting things such as this. This is a mightily peculiar painting priced at $275,000. In the artist's words:
"This scenario from my imagination shows Jesus visiting a clinically depressed Paul McCartney. He is sitting on Paul's right side and slides a Lamb chop Puppet in to Paul's peripheral field of vision. Paul hasn't bothered to get out of his robe. His white socks dangle off the ends of his toes. He is depressed and disheveled. On the wall behind him is the cause of his plight... Yoko... (some say she broke up the band)..."
Read on...
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SHAMELESS SELF PROMOTION TIME
Just in case you are interested, here is yer beloved Editor at iTunes

Check it out now...
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INTRODUCING THE NINE HENRYS
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There are nine Henrys, purported to be the world’s first cloned cartoon character. They live in a strange lo-fi domestic surrealist world peopled by talking rock buns and elephants on wobbly stilts. They mooch around in their minimalist universe suffering from an existential crisis with some genetically modified humour thrown in. I think Peter McAdam is one of the funniest people around, and I cannot recommend his book The Nine Henrys highly enough. Check it out at Amazon.
Each issue we shall be running a series of Henrybits that are not found in his book about the nine cloned cartoon characters who inhabit a surreal world nearly as insane as mine...
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THE WORLD OF KEV
Kev Rowland
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IWRESTLEDABEARONCE Late for Nothing (CENTURY MEDIA)
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I always find bands like this wonderfully appealing. Anyone who puts themselves up to be shot back down again by having a name which is unlikely to get them much attention (the lack of spacing is deliberate) from the ‘serious’ music press is all fine and dandy by me. Then add to that a definite refusal to take themselves at all seriously (see any of their photos to see what I mean) and I am intrigued. But of course all of that stands for naught if they are actually rubbish at what they do, but thankfully that is not the case here.
Of course, life would be too simple if it were possible to easily put them into a particular musical bucket, so let’s just call them metalcore and leave it at that.
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They have a new singer in Courtney LaPlante and she definitely suffers from a case of sore throat as she moves from clean vocals to deathlike screams. Behind here there is all sorts of complex distortion and over the top guitars as the guys belt it out.
Now, that is all well and good, but when you hear that Steve Vai – a recognised and undisputed god when it comes to things with seven strings – actually plays on one of these songs, then maybe we ought to take them a bit more seriously. And there is the actual issue with the album – it is way better than it should be, given the way that they seem to approach the music scene, and in this case it is doing them a disservice as some may just pass them by as a goofy gimmick without actually hearing what they are doing. While this is not an essential album by any means, it is much stronger than many others I have heard and overall it has definitely intrigued me so much that I am going to try and seek out their other albums as well. Look past the name, the photos and the artwork, and here is a metalcore album with some balls that is worth investigating.
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AZAZELLO Megadream (INDIE)
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Many years ago I was lucky enough to be sent a copy of Azazellos’ third album, ‘Black Day’ and I was mightily impressed. A while later I was sent a copy of their seventh album and again I really enjoyed it. So when I saw that Kerry Kompost had guested on their newest album then I knew that I had to grab a copy.
Unfortunately drummer Vladimir Demakov, passed away in December of 2011 so he never got to hear the fruits of his labours, but he would be pleased to know that his mates had done him proud. Led by multi-instrumentalist Alexandr Kulak, along with Vladimir Kulak (keys) and Yan Zhenchak (vocals), this is a band that apparently have no understanding of boundaries and are happy to play whatever pleases them, so if that means coming across as Metallica on one song then all power to them.
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These guys can really riff when they want to, with more than a hint of Voivod about them, but they are way more than just a fancy metal band and bring in folk and more overtly progressive influences to create something that isn’t quite Western, not quite Russian, but always interesting and compelling, much in the way that Dream Theater used to be, but with more instrumentation (the violin is particularly effective)
Kerry is not the only guest on the album, with Misha Ogorodv (Pierre Moerlen’s Gong) and Bill Berends (Mastermind) also making their presence felt. I was fortunate one night to catch Mastermind in concert, and by the end of the gig my jaw hurt as it had been hanging open most of the night in awe. Those guys can play, really play. That is the same for all those involved here, as we morph and move all over the place, but a special mention should be made of “Run In Parallel (Leo)†which is the first time I have heard a happy baby over the top of an acoustic guitar! This is an album with real depth, and the more I have played it the more I have enjoyed it. Yet another outstanding album from Azazello, well worth discovering.
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BLOODY CLIMAX Backs to the Wall (KARTHAGO)
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This is the first in a planned series by Karthago Records, the Heavy Metal Classics Collection, which is designed to make available “one hit wonders†of Heavy Metal history (their words, not mine)!
Bloody Climax was a German band who released a vinyl album in 1985, and although they appeared on a split in 1987 that was all. But what we have here is an extension from the original nine songs to sixteen with the inclusion of previously unreleased songs of the planned - but never released - second album.
So we are now up to 78 minutes playing time, with a 24 page booklet. But is it really a Heavy Metal Classic?
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Here we have a band that by 1985 would have already sounded somewhat dated. To put it into historical context, if we take the big three NWOBHM acts, Iron Maiden released ‘Live After Death’ in 1985 after five studio albums, Saxon were releasing ‘Innocence Is No Excuse’ (their seventh) and even ‘Pyromania’ had been out for two years. So, these bands had already moved a long way in quite a short timeframe, but listening to this album makes it seem as if it is ’79 all over again. The whole approach is incredibly reminiscent of those classic days when loads of bands were releasing singles on their own labels, or being signed to either Neat or Heavy Metal Records. In some ways Bloody Climax remind me of early Def Lep with Steel and Heavy Pettin’ mixed in for good measure. Vocalist Matthias Müller has a really good set of pipes, and I am somewhat surprised that he hasn’t turned up with other bands since then. But, what lets them down is just the quality of the songs. There is no doubt that these guys can play, but this album makes me smile just because of the naivety and innocence, which probably isn’t what they were going for.
While not to be totally discarded out of hand this is very much for fans of the genre/period only.
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EVOCATION Excised and Anatomised EP (CENTURY MEDIA)
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‘Illusions of Grandeur’ is one of my favourite albums from 2012, so I was excited to see that the guys had released a new five track EP, and intrigued when I saw that these were covers of classic songs. We have “… For Victory†(Bolt Thrower), “Corporal Jigsore Quandary†(Carcass), “You Suffer†(Napalm Death), “Enigma†(Edge Of Sanity) and “Terminal Spirit Disease†(At The Gates). All songs were recorded at the band’s own studio, while Dan Swanö took care of the mix and mastering.
The band have done more than pay homage here, they have taken these and given them their own twist so that instead of sounding as if they are different bands dating back over 20 years, instead we have something that is brutal and current.
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True, they don’t really have a lot of time to develop this in “You Sufferâ€, but it still sounds brutally mighty fine.
Of course, the only way to really enjoy this is to get the 180gm vinyl 12 inch, and if you have yet to come across this incredible Death Metal act then now is the perfect time to do so.
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Quicksilver Messenger Service are a legendary ensemble, an American psychedelic rock band, formed in 1965 in San Francisco and is – together with Jefferson Starship and The Grateful Dead - considered one of the leading acts on the city's psychedelic scene in the mid-to-late 1960s.
Quicksilver Messenger Service gained wide popularity in the Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe and several of their albums ranked in the Top 30 of the Billboard Pop charts. Although not as commercially successful as contemporaries Jefferson Airplane and The Grateful Dead, QMS was integral to the beginnings of their genre. With their jazz and classical influences, as well as a strong folk background, the band attempted to create a sound that was individual and innovative.
Member Dino Valenti drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swung rhythms and twanging guitar sounds.
By 1970. the band were working and recording largely in Hawaii. The next two albums, Just for Love and What About Me?, are sometimes called the Hawaiian albums because they were recorded mostly in a studio in that state, and both have a similar Hawaiian motif to their cover designs. This excellent live album captures a changing band at the peak of their game. A real treat for psychedelic music fans.
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THE BEST LAID PLANS...
My assistant editor Captain Frunobulax the Magnificent and I have had a hectic, but quite enjoyable week. As you know, Corinna and I have been away for the past few days, and Graham has been away all week. We still have no car of our own (the hire car goes back on Monday) and I have managed to knacker both my outgoing emails and the office telephone.
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But apart from that, it has been a jolly nice week, and I am both pleased and surprised by the momentum that this magazine is attracting in that it comes together organically, and surprisingly easily each week.
As far as the magazine is concerned: Remember that it doesn't cost anything to subscribe, and that in doing so you are joining an elite, and rapidly expanding group of music fans who believe that we are not being given the music or the cultural coverage that we deserve. Please pass this magazine on to as many of your friends, relations, and whoever else you can, and do your best to persuade them to subscribe. It will make an ageing fat hippy very happy.
We are living in disturbing and strange times, but ultimately they are very interesting ones, and continuing to chronicle the Gonzoverse is an immensely rewarding thing to do. Thank you for reading.
Until next week,
Slainte
Jon Downes
(Editor)
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