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Dear readers,

First of all, I’d like to say I’m sorry for being gone for a while. Maybe you missed me, maybe you didn’t, but whatever the case may be - I am back, alive and kicking.

I wanted to wrap up the series of Sontag by posting more thoughts by her, but perhaps you’ll be happy to know that I’ve lost my notebook with them along the way, so you’ll finally be spared my ongoing obsession with her.

This time, rather, I’ve chosen a bit of fiction by Virginia Woolf’s, To the Lighthouse. It’s a fine novel with lots to say about it, but what I’ve selected here refers to Mr. Ramsay’s obsession with writing something remarkable and going down in history. The alphabet metaphor, combined with Woolf’s extraordinary and unique style portrays this angst shared by many artists all over the world time and time again:

“…It was a splendid mind. For if thought is like the keyboard of a piano, divided into so many notes, or like the alphabet is ranged in twenty-six letters all in order, then his splendid mind had no sort of difficulty in running over those letters one by one, firmly and accurately, until it had reached, say, the letter Q. He reached Q. Very few people in the whole of England ever reach Q…”

“…But after Q? What comes next? After Q there are a number of letters the last of which is scarcely visible to mortal eyes, but glimmers red in the distance. Z is only reached once by one man in a generation. Still, if he could reach R it would be something. Here at least was Q. He dug his heels in at Q. Q he was sure of. Q he could demonstrate. If Q then is Q – R – Here he knocked his pipe out, with two or three resonant taps on the ram’s horn which made the handle of the urn, and proceeded. “Then R…” He braced himself. He clenched himself.

Qualities that would have saved a ship’s company exposed on a broiling sea with six biscuits and a flask of water – endurance and justice, foresight, devotion, skill, come to his help. R is then – what is R?
A shutter, like the leathern eyelid of a lizard, flickered over the intensity of his gaze and obscured the letter R. In that flash of darkness he heard people saying – he was a failure – that R was beyond him. He would never reach R. On to R, once more. R –

Qualities that in a desolate expedition across the icy solitudes of the Polar region would have made him the leader, the guide, the counsellor, whose temper, neither sanguine nor despondent, surveys with equanimity what is to be and faces it, came to his help again. R –

The lizard’s eye flickered once more. The veins on his forehead bulged. The geranium in the urn became startlingly visible and, displayed among its leaves, he could see, without wishing it, that old, that obvious distinction between the two classes of men; on the one hand the steady goers of superhuman strength who, plodding and persevering, repeat the whole alphabet in order, twenty-six letters in all, from start to finish; on the other the gifted, the inspired who, miraculously, lump all the letters together in one flesh – the way of genius. He had not genius; he laid no claim to that: but he had, or might have had, the power to repeat every letter of the alphabet from A to Z accurately in order. Meanwhile, he stuck at Q. On, then, on to R.

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R.

He stood stock still, by the urn, with the geranium flowing over it. How many men in a thousand million, he asked himself, reach Z after all? Surely the leader of a forlorn hope may ask himself that, and answer, without treachery to the expedition behind him, “One perhaps”. One in a generation. Is he to be blamed then if he is not that one? provided he has toiled honestly, given to the best of his power, till he has no more left to give? And his fame lasts how long? It is permissible even for a dying hero to think before he dies how men will speak of him hereafter. His fame lasts perhaps two thousand years. And what are two thousand years? (asked Mr. Ramsay ironically, staring at the hedge.) What, indeed, if you look from a mountain-top down the long wastes of the ages? The very stone one kicks with one’s boot will outlast Shakespeare. His own little light would shine, not very brightly, for a year or two, and would then be merged in some bigger light, and that in a bigger still. (He looked into the darkness, into the intricacy of the twigs.) Who then could blame the leader of that forlorn party which after all has climbed high enough to see the waste of the years and the perishing of stars, if before death stiffens his limbs beyond the power of movement he does a little consciously raise his numbed fingers to his brow, and square his shoulders, so that when the search party comes they will find him dead at his post, the fine figure of a soldier? Mr. Ramsay squared his shoulders and stood very upright by the urn.

Who shall blame him, if, so standing for a moment, he dwells upon fame, upon search parties, upon cairns raised by grateful followers over his bones? Finally, who shall blame the leader of the doomed expedition, if, having adventured to the uttermost, and used his strength wholly to the last ounce and fallen asleep not much caring if he wakes or not, he now perceives by some pricking in his toes that he lives, and does not on the whole object to live, but requires sympathy, and whisky, and someone to tell the story of his suffering to at once? Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her – who will blame him if he does homage to the beauty of the world?”

Such an honest description of a man’s agony over achievement, remembrance, and chasing genius. Woolf definitely penetrated deep into the issue, and one may only wonder whether she had the same feelings and worries about her own work. Probably yes. Don’t we all?

I hope you enjoyed reading. Have a great rest of the week!

Until next time,

Copyright © 2013 Sophie Novak, All rights reserved. 
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