The new Indigenous centre at Seneca College’s Newnham campus in Toronto is called Odeyto, an Anishinaabe word that can be translated to “the good journey.” The centre is shaped like a resting canoe.
Seneca’s new Indigenous centre reflects ‘the good journey’
Building designed by Six Nation-based architects
The lounge of the new Odeyto multipurpose centre at Seneca College’s Newnham campus in Toronto is shaped like a resting canoe, which seems fitting.
Designed in a joint venture by Gow Hastings Architects and Two Row Architect — a practice based on the Six Nations Reserve, and built by general contractor Mettko Ltd., the centre is an administrative and cultural facility serving the college’s Indigenous students.
Distinguished by a “Tree of Life” roof and interior glulam beams, the lounge is a drop-in centre for both Indigenous and non-Indigenous students and a venue for traditional ceremonies such as smudging.
A small link connects it with the centre’s administration wing in a renovated classroom in an adjacent building. Complementing the overall complex will be a large garden area with traditional First Nations plants such as sage and sweet grass, says Gow Hastings senior architect Graham Bolton.
Odeyto is an Anishinaabe word that can be translated to “the good journey” and Bolton uses that analogy to explain the purpose of the centre.
Replacing a First Nations office, which was no longer adequate, the centre “connects Indigenous students with their culture and also fosters cultural exchanges with non-Indigenous students.”
While the lounge is in the shape of a resting canoe, there was little rest and more than a few hurdles for the architects and its consulting team.
Not only were they tasked with designing a culturally appropriate facility, the design team and their consultants had to grapple with a host of environmental, fire code, site remediation and construction delay challenges.
“Indigenous youth are one of the fast-growing demographics in the country,” says Bolton, explaining the college’s vision for the centre grew out of the recommendations of the Truth and Reconciliation Commission.
Right from the onset of the project Seneca College wanted an “iconic” facility and there were a lot of steps in achieving that objective.
“We couldn’t be too culturally specific,” says Bolton, explaining the lounge had to incorporate and be reflective of Indigenous culture without being weighed too much in favour of any one particular First Nations group.
After reviewing a number of Indigenous structures such as wigwams and longhouses, the architectural team came up with the canoe design in less than a month. From there the schematic design progressed into the detailed design stage.
To capture the essence and form of the upside canoe, the roof and wall had to be seamlessly integrated into one element and meeting the demands of the “complex geometry” was not an easy endeavour, Bolton explains.
The logical solution was a “tried and true” interlocking metal roofing shingle, similar to what might be found on the copper and zinc clad domes and chinoises turrets of eclectic late 19th century homes, he says.
“Two Row architects suggested we could use coloured shingles to create the Haudenosaunee Tree of Peace pattern on the roof, which honours the ancient peace between the warring tribes that made up the original five nations, now six nations, of the Haudenosaunee confederacy,” he adds.
Gow Hastings took that idea one step further and created two folded and interlocking shingles that, when joined together, replicated the tree of peace pattern in the geometry of the shingles themselves, says Bolton, who created the initial design by folding pieces of paper together.
Indigenous culture also inspired the interior decor which includes 28 curved glulam beams which are symbolic of “the 28 days of the moon calendar which Indigenous people traditionally followed.”