Farewell to our 2020 online exhibition

Today is officially the end of our exhibition, but we are still here! And we are looking forward to opening in May. Visit our website to view the entire collection of sculptures from this year's exhibition.

If you can’t wait until our anticipated opening in May 2021 and would like to see and feel a sculpture in real life, please get in contact with us at and we will be delighted to organise a private studio visit.

Our final series of spotlights on individual sculptures is below. Please enjoy the eclectic selection of sculpture on offer from the artists and we look forward to being in touch with you soon.
on form website

Sculpture Spotlight

Rhizome by Ben Russell
Here, in luminous alabaster, Ben has captured the vigour and urgency of growth, tracing the delicate strands of the creeping root stalks known as rhizomes. Ben’s work emerges from the magical underground worlds of roots and mycelia in the soil around his Dorset studio.  
Pineapple Monarchy by Marcia Bennett-Male
(from the “Lost Royals” Trilogy)
Pineapple Monarchy is one of three vegetative deities from a lost and forgotten civilization. In many other cultures, throughout many ages, he would be known as a Green Man. Marcia took the idea of the Green Man, normally thought of as a lone mythological figure, and created a family around him.  The Zimbabwean springstone she uses is given a beautiful textured quality by combining the rougher surface of the stone with a high polish. 
Warp and Woof by Peter Randall-Page
Weighing in at over a ton, Warp and Woof takes its name from a traditional term for the two basic components used in weaving to turn thread into fabric.

Peter has worked with the existing natural shape of this silver granite boulder to create an intricately ‘woven’ under and over stone pattern that covers the entire form. The use of backlight to enhance shadow and contrast is key to bringing this magnificent sculpture to life. 
Tacita by William Peers
Tacita forms part of a group of sculptures exploring line in space. William took the idea of a single loop and carved a series of works out of Italian marble.  So much of the original block of stone is removed that there is more negative space than physical sculpture. This elegant, airy form is beautifully grounded by a sensuous oval base of black Tunisian stone.
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